Empowering creative expression in rural communities: The story of (it's no) drama

In the heart of South Gippsland, a not-for-profit arts company, (it’s no) drama, is transforming the way people with disabilities are seen and heard. Founded in 2015 by Emily Ardley, who felt the acute lack of professional arts programs in her regional town of Leongatha, (it's no) drama was born out of a necessity to bring creative arts closer to home for those with diverse lived experiences.

Driven by a mission to provide exceptional arts programs and raise awareness of the contributions of disabled artists, Emily, with the help of Alisha Gilliand, secured a 'Toe in the Water' grant from Regional Arts Victoria. This initial funding helped launch what would soon become a vital cultural space in South Gippsland. Under the artistic direction of Samara Cunningham, the company has blossomed into a hub where creativity bridges the gap between disability and community.

(it's no) drama utilises performing arts as a therapeutic tool to address mental health issues prevalent in rural settings. By focusing on creative expression rather than conventional theatre scripts, the initiative encourages participants to explore their identities and express themselves authentically. Each session begins with a 'check-in' to foster a supportive environment, followed by physical activities like dance and movement, which not only improve physical health but also enhance emotional well-being.

The impact of (it's no) drama is palpable. For instance, during their 2023 stage production "Wild Woods," ensemble member David Baker performed his first-ever dance solo, receiving accolades and boosting his self-confidence. Another participant, Hannah Bradsworth, has extended her influence beyond the stage by conducting community workshops, thereby reinforcing the idea of disability as a natural and integral part of community life.

In 2022, (it’s no) drama transitioned away from local government auspice to become an independent arts company and registered charity. This autonomy has allowed for greater creative freedom and expansion, with funding and support from organszations like Creative Victoria, Regional Arts Victoria, and various foundations. These collaborations have been crucial in staging public performances, exhibitions, and free community outreach programs that celebrate the creative potentials of people of all ages and abilities.

Looking to the future, (it’s no) drama is poised to introduce more ambitious projects. The upcoming 'Dance of the Leaves' workshop series, set to culminate in a public performance in March 2025, and the stage production 'Melt' at the Leongatha Memorial Hall, are just a few of the exciting initiatives on the horizon. Plans are also underway to collaborate with local composer Andrew Murray for an experimental music track, set to debut at an inclusive nightclub event.

Samara’s advice for other arts practitioners looking to replicate (it’s no) drama’s success in their own communities is straightforward yet powerful: "Just do it! Find people who are passionate about their art and passionate about inclusion." She emphasises the importance of making arts programs accessible and inviting to all, including implementing features like audio descriptions, tactile tours, and sensory rooms to cater to diverse needs.

(it’s no) drama not only showcases the profound impact of arts on mental health and community cohesion but also sets a remarkable example of how passion and perseverance can create lasting change in rural areas. As this creative collective continues to grow and inspire, it lights a path for others to follow, proving that when it comes to mental health and inclusion, there's truly no drama in making a difference.